Audrey DOh

Interactive Installation

Digital Art

Community Work



    Artist Declaration —

        Audrey Doh (b. 1996, South Korea) is a multidisciplinary artist who repurposes technology as vessels for ritual, tradition, and collective meaning-making. Her work investigates enduring cultural practices, exploring how communities construct alternative belief systems when scientific measurement encounters the unmeasurable. Through sensor-based interactions, embedded systems, and projected media, Doh creates quiet, contemplative rituals that invite audiences to move beyond monolithic reality toward multiple, intersecting systems of meaning.


    About/CV →


    For Every Goddess There is Giving (2022)

    Materials
    Silkscreen on printmaking paper, cotton fabric, intaglio ink, fabric, powder pastel, clear resin

    Dimensions
    33 inches x 23.5 inches

    Skills
    Fabric transfer print, silkscreen, resin painting


            For Every Goddess There is Giving, Edition I

            For Every Goddess There is Giving, Edition II



            For Every Goddess There is Giving, Edition III 




    Giant Goddess Mago carried mud in her skirt and created mountains and islands.
    Her urine and excrement formed hills and rivers. [...] She was so strong that when she urinated with her legs straddled on Mr. Nogo and Mt. Bulguk, the spray of urine cracked a huge rock on Munhakjae Pass.
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    Inspired by the goddess Mago in Korean traditional creation mythology, “For Every Goddess There is Giving” is a mixed media print incorporating shots of New York City, U.S., New Jersey, U.S., and Changbaek, North Korea through Google's satellite view data. It bridges between these two bodies of land that was once a site of colonial conquest and Korean disapora. By superimposing a fabric print of a fleshy female body urinating over the land, this work is a reclamation of ownership over exploited land as well as a cathartic release from the colonized female body.



    Close-up views of Every Goddess There is Giving I, II, III