Audrey DOh

Interactive Installation

Digital Art

Community Work



    Artist Declaration —

        Audrey Doh (b. 1996, South Korea) is a multidisciplinary artist who repurposes technology as vessels for ritual, tradition, and collective meaning-making. Her work investigates enduring cultural practices, exploring how communities construct alternative belief systems when scientific measurement encounters the unmeasurable. Through sensor-based interactions, embedded systems, and projected media, Doh creates quiet, contemplative rituals that invite audiences to move beyond monolithic reality toward multiple, intersecting systems of meaning.


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    Origin of (Artificial) Species (2024)





     
               From The Hitchhiker’s Guide to the Galaxy, 1979    The Total Perspective Vortex derives its picture of the whole Universe on the principle of extrapolated matter analyses. Since every piece of matter in the Universe is in some way affected by every other piece of matter in the Universe, it is in theory possible to extrapolate the whole of creation — every sun, every planet, their orbits, their composition and their economic and social history from, say, one small piece of fairy cake.

    /// By deliberately employing a retro computer interface aesthetic, complete with pixelated graphics and early Windows-style animations, I aim to evoke nostalgia while highlighting the vast technological leap between early digital assistants and modern AI. Through a scripted dialogue between these rudimentary assistants, I examine uniquely human characteristics that differentiate us from AI, such as our capacity for empathy, our value of craftsmanship, and our desire for meaningful interactions. This piece stands as my personal critique of AI technology, challenging viewers to reflect on the implications of our increasing reliance on artificial systems and questioning whether these tools truly serve human needs or merely amplify existing biases and limitations.