Audrey DOh

Interactive Installation

Digital Art

Community Work



    Artist Declaration —

        Audrey Doh (b. 1996, South Korea) is a multidisciplinary artist who repurposes technology as vessels for ritual, tradition, and collective meaning-making. Her work investigates enduring cultural practices, exploring how communities construct alternative belief systems when scientific measurement encounters the unmeasurable. Through sensor-based interactions, embedded systems, and projected media, Doh creates quiet, contemplative rituals that invite audiences to move beyond monolithic reality toward multiple, intersecting systems of meaning.


    About/CV →


    To all those reincarnated (2020)


                    COVID-19 Photo Project 



                    Yangjaecheon, Seoul, South Korea

    ...the cluekey to a worldroom beyond the roomwhorld, for scarce one, or pathetically few of his dode canal sammenlivers cared seriously or for long to doubt with Kurt Iuld van Dijke (the gravitational pull perceived by certain fixed residents and the capture of uncertain comets chancedrifting through our system suggesting the authenticitatem of his aliquitudinis) the canonicity of his existence as a tesseract. Be still, O quick! Speak him dumb! Hush ye fronds of Ulma!







                    Yangjaecheon, Seoul, South Korea

    ...the cluekey to a worldroom beyond the roomwhorld, for scarce one, or pathetically few of his dode canal sammenlivers cared seriously or for long to doubt with Kurt Iuld van Dijke (the gravitational pull perceived by certain fixed residents and the capture of uncertain comets chancedrifting through our system suggesting the authenticitatem of his aliquitudinis) the canonicity of his existence as a tesseract. Be still, O quick! Speak him dumb! Hush ye fronds of Ulma!





                    From an Interview by Arthur Power, 1953...the cluekey to a worldroom beyond the roomwhorld, for scarce one, or pathetically few of his dode canal sammenlivers cared seriously or for long to doubt with Kurt Iuld van Dijke (the gravitational pull perceived by certain fixed residents and the capture of uncertain comets chancedrifting through our system suggesting the authenticitatem of his aliquitudinis) the canonicity of his existence as a tesseract. Be still, O quick! Speak him dumb! Hush ye fronds of Ulma!






    “그만하자, 이젠.